“A Sonospheric Corpse, Part I” is available here. The autumn and its contemplative condition of death and decay induce flirtations with the illusory, the uncanny, the weird and the eerie, and of course, the horrific. “A Sonospheric Corpse” derives inspiration from the surrealist technique, “exquisite corpse” in which each participant adds a contribution in aContinue reading “Episode #102 – A Sonospheric Corpse, Part II”
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Episode #101 – A Sonospheric Corpse, Part I
The autumn and its contemplative condition of death and decay induce flirtations with the illusory, the uncanny, the weird and the eerie, and of course, the horrific. “A Sonospheric Corpse” derives inspiration from the surrealist technique, “exquisite corpse” in which each participant adds a contribution in a sequence. What follows is a phantasmagorical soundscape composedContinue reading “Episode #101 – A Sonospheric Corpse, Part I”
Episode #99 – Tutorials in Self Isolation
As a result of the enduring Covid-19 pandemic, the ticking of the clock no longer seems actual in any remote sense. We have collectively entered recursive time loops, fractals and spirals where the measurements of time; seconds, minutes, hours, days, weeks, months, etc. are little more than an afterthought. An intersection of present and futureContinue reading “Episode #99 – Tutorials in Self Isolation”
Notes on “Blues in Lewis’ Flat (Remixed)”
“Music is liquid architecture; architecture is frozen music.” Johann Wolfgang Von Goethe Jerry Lewis makes his own sense, and by proxy, as do his films. His early, self-directed films (“The Bellboy”, “The Ladies Man”, “The Errand Boy”) are merely variations on recurring physical arrangements. These are comedies which excavate the divisions between socio-economic space andContinue reading “Notes on “Blues in Lewis’ Flat (Remixed)””
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